To Baumbach, Driver is nothing less than inspirational.
He shows up and knows the scene, and when you do that, you have the opportunity to play.” “He’s not just someone who memorizes his lines - he understands them. “Adam is the kind of actor where if there’s a light flickering, or a string on his wardrobe - he’ll use it in the scene,” says “Report” writer-director Scott Z. “Even when it’s all over, we talk about it, and then we move on to ‘OK, what do you want to do next?’ That’s the cycle.” “And then - " yes, there’s more - “we still come and talk about it,” he says. His back is to the wide bay window, so it’ll take a few moments before he realizes it’s snowing. He’s sitting in a New York City hotel room a few days after Thanksgiving, dressed head to toe in black, the neckline of his sweater starting to fray. “Then it changes location, and suddenly we’re in a rehearsal room, and then we are on set, and then it’s over,” Driver continues. The role has already earned Golden Globe and SAG nominations - and few will be surprised if/when he lands his second Academy Award nomination for it.Īnyway, that’s how it starts when Driver and Baumbach put their heads together. “The conversation turns to work, things we’ve seen, things we want to make, structural ideas,” says Driver, who has now appeared in four Baumbach-directed productions, including the new “Marriage Story.” In it, he plays Charlie, a New York City theater director whose marriage has crumbled. The longtime friends gather at a restaurant and just start … talking. When Adam Driver and Noah Baumbach decide to brainstorm a new project, they’ve got it down to a routine.
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